Outdoors calls teacher into new profession

—The Daily News - May 15, 2006 - by Matt Surtel

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Quick Take

FAMILY: Wife Aimee and 5-year-old foster son.

PASTIMIE: "Hunting and fishing. It used to be sports but I kind of have some bad ankles so ... Hunting and fishing now basically take up most of my free time, and hanging out with with son."

FAVORITE FOOD: Pizza.

FAVORITE MOVIE: Jaws

LAST BOOK READ: The DaVinci Code

BESIDES FAMILY AND FRIENDS, DINNER PARTNER OF CHOICE: "I would probably like to talk to Fred Bear, who's the inventor of modern bowhunting eqipment. He's just kind of a neat guy. He's traveled all over the world and hunted different things."

PET PEEVE: "As far as taxidermy goes, I don't really like anything super-aggressive—open mouthed, like a bear that's snarling. I like more relaxed poses. Its just more natural. I think it kind of tarnishes the image of taxidermy. Some customers want that, and yeah, you can do it, but more than 90 percent of the time the animals don't look like that. "

WHAT'S WRONG WITH WYOMING COUNTY: "Taxes possibly."

WHAT'S BEST ABOUT WYOMING COUNTY: "We have some great whitetail deer hunting. It's actually better than where I grew up as far as the quality of a whitetail deer."

The outdoors has always called to Paul Nelson of Attica. The native of Belfast, Allegany County, has a degree in elementary and special education from Geneseo State College.

He enjoyed his job as a fourth- and fifth-grade teacher at Batavia city schools, but wanted to spend more time outside. So he studied taxidermy and started his own business.

Nelson, 30, has operated Orion Taxidermy for four years. The job includes creating wildlife displays and preserving the occasional pet.

He lives in with his family.

It’s an interesting career progression. Why did you switch from teaching to taxidermy?

I love the outdoors.

In teaching, your really busy time is September and October. You’re just getting into the full of things. And I just missed being out there in the woods at that time of year.

And the same thing with May. You’re busy getting report cards and things ready.

I decided when I was in grad school I liked my job but just wasn’t anxious to get up. I loved the kids as far as the record keeping, lesson planning and correcting papers at night, was like, “I think I need to be outside a little more than I am.”

So I decided to take a break and went back to school for taxidermy. It was always something that interested me and I never knew if I’d like it or not.

I stopped teaching, went there and made the switch. I really enjoy the work.

How did you studies take?

Actually, studying is never-ending. There’s always a ton of stuff to learn as far as anatomy goes. You can look at the same piece of reference and learn 10 new things in a year.

Just by looking at the same pictures, or reference casts, or skulls or carcasses. You can learn from anything.

Part of what I like about it too is you’re always going to continue and grow. There are competitions and trade shows that can keep you up to date. There are always new materials that are coming out.

I like that part of it.

How do you start out? Do you start small? It probably takes some skill to do a turkey or a bear.

I think the first thing we did was actually just skinning a deer—just a shoulder mount. Then we did a few fish and a few birds.

To be honest with you, your first ones aren’t that great. It’s a lot tougher and more involved than people would think. It’s not just ramming stuffing into it anymore.

Is it a difficult skill to pick up?

For me it’s a little more difficult. I have to study more, and take a little more time, because I’m not super-artistic.

It’s good though. It seems like if I was to bee an artist on a canvas I may never get there, but at least in taxidermy if you work had enough, you can get your eyes to that point and translate it down to your fingers.

It’s one of those things where practice will make you better at it.

Any favorite animals you like to do?

I love bears.

I like all the mammals actually. Fish are enjoyable. They’re just so much work that people don’t really want to pay what it costs to do them.

Do different animals pose any specific challenges?

Each one’s different—like a bear obviously. They’re really greasy.

With fish, you’re casting artificial parts, and then trying to blend then to a natural skin. Actually those bodies are carved out of a big block of foam that you start with.

They’re all kind of fun in their own way, but they’re all challenging. Like a whitetail deer is probably one of the easiest things going, because you get so many repitions and there are that many specimens out there to practice on.

Since everybody across the country has them, there’s excellent references for them. Whereas some of the crazier things I’ve had to do…

Like I had to do an African gray parrot that was a customer’s pet. That’s when you get nervous because they’re looking at it all the time. They know exactly what their pet looks like.

It actually had a ton of feathers that were in molting stages. It’s impossible to replace those feathers. They just come right out when you clean them.

So yeah, that’s a challenge on birds. A lot of the times when a customer will get one that’s not a prime specimen and really shouldn’t be mounted, except its theirs, so they want it.

Are pets a big part of your business? Did you anticipate you’d get that kind of business?

I get a lot of inquiries about them, but because since there’s no commercial mannequins and that sort of thing available, it can get really expensive.

Strangest or best animal you’ve done?

Well, the parrot was there, because I had to get specially made eyes and build all the rest of the parts myself. So it was kind of a neat project to do.

And then I did a rattlesnake. I had done any reptiles in school, and I did it for the Beaver Meadow Audubon Society.

That was actually a lot of fun. I liked that project.

How do you approach something like that, when an animal is totally new to you?

Just study. Study reference pictures—anything you can think of, as a far as how a snake is. There’s a ton of measurements you can take on a snake.

Or let’s say a fish I’ve never mounted. You can actually cast the very fish you’re going to mount.

If you’ll forgive me, its an ignorant question: It’s not like mummifying them?

No. (laughing) Those don’t last. They will last, but they won’t hold up without cracking, or looking like they’ve been put into some sort of formic acid or whatever, that kind of makes bones rubbery.

It sounds like the profession has advanced over the years.

Absolutely. The materials, the methods, and everything is again so much easier to work with.

And you do this full-time now?

I’m about 30 hour (per week). Close to full-time.

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